A similar situation exists with regard to musical ontology, though primary focus is given to works of classical music in some instances. One ontological issue pertaining centrally to classical music concerns the metaphysical nature of a work of music. Do musical works exist? If so, in what sense? With regard to musical ontology a Platonist would hold that a work of classical music is an abstract object, while a nominalist would hold that it must be understood solely in terms of particular objects that relate to it, such as the musical score. In contrast to all of these, anti-realists deny that musical works have any kind of real existence at all, though stopping short of discounting the question altogether, some anti-realists grant musical works a fictional status.