Thesis theme remove comments

Young boy, like a cruel angel's thesis,
Live up to be a legend...

Even though clear blue winds
Beat on the door of my heart,
You just smile, looking straight at me
Too involved in yearning for
Something to hold on
The innocent eyes still know nothing of fate yet.

But someday you will notice
On those shoulders of your
There are strong wings
To guide you to the far future.

A cruel angel's thesis
Will someday fly high from the window
If memories are betrayed by
The overflowing, burning pathos (emotions).
Holding the sky in your arms,
Young boy, shine like a legend.
End of the TV anime opening

The cradle of love that sleeps within me
There will be a morining that
A servant of dreams will come for you.
The moonlight shines on your thin neckline.
I'd stop time in this world
And lock it away for myself, but...

If there is any meaning
In the fate that pulled us together,
Then I am, yes, the Bible
That teaches you of freedom.

A cruel angel's thesis
And then sorrow comes forth
When the shapes of the dreams you hold in your arms
Come to life within you.
Young boy, who shines brighter than anyone else,
Rise to become a legend.

People weave together love to create history
And so I live on,
Unable to become a goddess...

A cruel angel's thesis
Will someday fly high from the window
If memories are betrayed by
The overflowing, burning pathos (feelings).
Young boy, shine like a legend,
Holding the sky in your arms.

late 14c., originally in grammar (of nouns), from Latin abstractus "drawn away," past participle of abstrahere "to drag away; detach divert," from ab(s)- "away" (see ab- ) + trahere "draw" (see tract ()).

Meaning "withdrawn or separated from material objects or practical matters" is from mid-15c. That of "difficult to understand, abstruse" is from . Specifically in reference to modern art, it dates from 1914; abstract expressionism as an American-based uninhibited approach to art exemplified by Jackson Pollack is from 1952, but the term itself had been used in the 1920s of Kandinsky and others. Oswald Herzog, in an article on "Der Abstrakte Expressionismus" (Sturm, heft 50, 1919) gives us a statement which with equal felicity may be applied to the artistic attitude of the Dadaists. "Abstract Expressionism is perfect Expressionism," he writes. "It is pure creation. It casts spiritual processes into a corporeal mould. It does not borrow objects from the real world; it creates its own objects .... The abstract reveals the will of the artist; it becomes expression..." [William A. Drake, "The Life and Deeds of Dada," 1922]

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